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bernie Mcgann abc.jpg

22 June 1937 – 17 September 2013

was an alto saxophonist. He began his career in the late 1950s and remained active as a performer, composer and recording artist until near the end of his life.

From Sydney, McGann first came to prominence as part of a loose alliance of modern jazz musicians who performed at the El Rocco Jazz Cellar, Sydney in the late 1950s and early 1960s.

He led the Bernie McGann Trio and Bernie McGann Quartet through his career. The most well-known lineup of the Trio was McGann (alto sax), John Pochee (drums),  Lloyd Swanton (bass), with the addition of Warwick Alder (trumpet) in the quartet. However in his latter years, his regular quartet featured Andrew Dickeson (drums), Brendan Clarke (bass) and Warwick Alder (trumpet).

Read Bernie’s obituary from The Australian

Career highlights
• 1974 – Founding member of The Last Straw (jazz group).
• 1980–82 – Played support to US jazz artists, including Freddie Hubbard, Lester Bowie, and Dave Liebman.
• 1981 – Played and recorded with US saxophonist Sonny Stitt.
• 1983 – Studied in New York on a grant from The Australia Council.
• 1986 – Bernie McGann Trio toured Australia with US saxophonist Dewey Redman.
• 1987 – Toured with The Last Straw to Tasmania. Recorded two albums, one trio and one quartet, for Emanem which received critical acclaim internationally
• 1988 – Toured Australia and USA with the Australian Jazz Orchestra, a special Bicentennial project. Feature artist in award-winning documentary film Beyond El Rocco.[4] The Last Straw tour of New Zealand jazz festivals with an Australia Council international touring grant. Bernie McGann Trio played at London’s famous Ronnie Scott’s Jazz Club, before touring jazz festivals in Poland, Czechoslovakia, Bulgaria, Yugoslavia, India and Malaysia.
• 1989 – Solo artist at Auckland’s Jazz & Blues Festival. Appeared with The Last Straw at the prestigious Montreal Jazz Festival in Canada. Performed with Nat Adderley
• 1990 – Toured USSR with The Last Straw, performing to enthusiastic audiences at jazz festivals including Leningrad
• 1992 – ARIA award for Bernie McGann Trio CD ‘Ugly Beauty’, Spiral Scratch MO Award for Bernie McGann Trio in Jazz Group of the Year[3]
• 1993 – Toured Canadian Jazz Festivals
• 1994 – Australian Mo Awards for Jazz Instrumentalist of the Year.
• 1995 – ARIA award for Bernie McGann Trio CD ‘McGann McGann’ on Rufus Records, which featured McGann originals
• 1996 – Toured Canada and Europe including Northsea Jazz Festival and Munchener Klaviersummer.
• 1997 – Bernie McGann Trio appeared at the Chicago Jazz Festival. ARIA award for Bernie McGann Trio CD Playground (Rufus Records).
• 1998 – Wins the Don Banks Music Award, the first time it has been awarded to a non-classical musician/composer.[5] Launch of biography Bernie McGann: A Life in Jazz by Geoff Page (Kardooraire Press)

Noarlunga Downs, South Australia, Australia
0402 612 1740402 612 174
23 Cedar Street, Maleny QLD 4552, Australia
07 5499 929107 5499 9291
Croydon NSW 2132, Australia
297984189297984189
1/64 Therese Avenue, Mount Waverley VIC 3149, Australia
401281874401281874
92 Rue Saint-Martin, 75004 Paris, France

Chris Cody is one of Australia’s foremost jazz pianists and has performed and recorded around the world. He began his musical career as a classical pianist in Australia, after being a finalist in the Roger Woodward Piano Scholarship at the age of 14. He gained a Bachelor’s Degree in music from the University of Sydney, and the Licentiate of Trinity College, London, with high distinction, for classical piano performance. He performed solo and chamber music at venues including the Sydney Opera House and Sydney Town Hall.

His musical versatility found expression in a wide variety of work situations, and he began to play with some of Australia’s leading jazz musicians such as James Morrison and Don Burrows. He played and composed for numerous musical productions in Sydney, worked with conductor Simone Young, and also wrote and directed the popular jazz cabaret 31 Celestial Flavors, that enjoyed repeat sell-out seasons in Sydney. He formed his own jazz quartet playing in local clubs, festivals and for Australian television and radio.

After gaining the Diploma in Jazz Studies at the Sydney Conservatorium and the Jazz Action Society Award for Best Jazz Composition in 1989, he left Australia to perform and tour in the USA and throughout Europe with international stars including Roy Hargrove, Antonio Hart, Sunny Murray, Herb Geller, Stephano di Battista, Frank Lacey, Graham Haynes, Rhoda Scott, Marcel Azzola and Yves Robert. Cody recorded with numerous artists before forming his own highly successful group in Paris – the Chris Cody Coalition – and recording his debut album in 1996, released to international acclaim.

Returning to Australia in 1997, he performed at Australia’s leading jazz venues and festivals including The Basement, Bennett’s Lane, Manly and Wangarratta Jazz Festivals. He formed an Australian version of the Cody Coalition featuring Sydney’s finest jazz musicians and recorded the CD Oasis on Naxos Jazz, receiving glowing tributes from press around the world. Cody was a regular guest on radio programs, including Jazztrack, ABC FM, the 2BL Morning and Afternoon Shows, and The Planet (ABC). Chris Cody taught at the Sydney Conservatorium of Music in the Bachelor of Music program, as well as giving masterclasses at universities and conservatoriums around Australia, including the University of Sydney and the Australian Institute of Music. He also co-founded and directed the Sydney School of Piano. His music was selected for the in-flight jazz programs of several international airlines including Qantas. Chris also wrote music for theatre and cinema and appeared performing in the film Dr Jazz at the Sydney Film Festival. Chris was a featured guest and performer on numerous TV and radio programs around the world including France 2, Bernard Pivot, ABC TV and SBS TV. He hosted his own jazz radio program in Sydney, Dr. Cody‘s Hip Transplants and in his spare time was a surf lifesaver at Bronte Beach.

Since his return to France in 2000, Cody has performed at numerous clubs and festivals around France as well as in England, Ireland, Germany, Italy, Switzerland, Belgium, Luxembourg, Cuba, Austria, Algeria, Morocco, and Sweden. He was commissioned to compose and perform a suite of pieces for the inauguration of the Australian Music Centre in Paris and also composed and recorded the music for the Sydney Theatre Company’s production of Moliere’s Don Juan at the Sydney Opera House. He has recently performed and recorded his own compositions for Radio France, France Culture, France Musique, ABC and SBS TV, and has been a featured guest of Claude Carrière’s national program Jazz Club on France Musique. He has also worked as a regular collaborator with the psycho-acoustic research team at IRCAM,  Institute for Research and Coordination in Acoustics and Music.

Chris Cody recorded a new CD Midnight Tide (Cristal/Harmonia Mundi), with top American trombonist Glenn Ferris, released to international acclaim in 2003, and recently released Conscript (Nocturne, France), also with Glenn Ferris, receiving further accolades from press around the world. He continues to perform and record at major clubs and festivals throughout Europe and Australia at the head of his own group and as pianist with other leading ensembles.

His recent work includes performing for festivals in Marciac, Munich, Derry, Stockholm, Paris Quarters d’Ete, Melbourne, and Sydney. He has co-produced a documentary, “Paris Ville de Musique”, on music in France for Australian television, and has written the music for various short films and theatre, as well as creating and performing music for the American Academy of Dance Paris. Chris Cody most recently received a US Department of State Federal Award to tour Algeria and is currently preparing a new album of his recent compositions.

Cody’s music reveals not only his deep love of the jazz and classical traditions, but also the influence of contemporary  French and African musicians he has encountered in Paris, and its warmth, sense of space and humour touch a wide and diverse public around the world.

 

 

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