Pianist and composer Chris Cody has performed and recorded internationally for the last 25 years while based in Paris. He has headlined at many international festivals including Paris Quartiers d’Eté, London, Rome, Brussels Jazz Marathon, Marciac, Nantes, Ascona and Algiers and at a vast array of concert venues throughout the USA, Europe and Africa. He has worked with many outstanding international musicians including Rick Margitza, Roy Hargrove, Glenn Ferris, Carla Bruni, Annie Whitehead, Tina Arena, Michel Jonaz, Rhoda Scott and Herb Geller.
With eleven CDs of his music released on international labels he has received glowing reviews and featured on radio and television around the world, and has collaborated on over thirty other albums.
His compositions have been commissioned for the inauguration of the Australian Music Centre Paris, as well as for the Sydney Theatre Company, American Academy of Dance, Pillow Book Dance Company Pittsburg, and other French and American theatre companies, and he has composed the music for eight films, and several TV and Radio documentaries.
He was a member of the judging panel for the 2014 Freedman Fellowship, Australia.
“Magical!” Piano Magazine, France
“Exhilarating … a feast of melody… an inspiration never at fault” JazzHot, France
“Full of music and future!” Le Monde, France
“A marvellous climate, between subtle arrangements and vast spaces of improvisation…” Jazz Magazine, France
“Very luminous jazz!” Télérama, France
“This is jazz that takes off for the heights” Figaroscope, France
“A European sensibility with a nod to Debussy” Rolling Stone
“Splendidly rich and varied” Jazzwise, U.K
“A performance full of colour, humour and rhythmic movement.” Sydney Morning Herald, Australia
“A fine mix of superior technical talent and youthful inventiveness” Variety USA
AWARDS :
2010 US Department of State Federal Award, Tour of Algeria
1999 Finalist Australian National Jazz Awards
1995 Finalist Tremplin Jazz Val d’Oise
1989 Best Jazz Composition, Australian Jazz Action Society
1989 Jack Chrotowsky Prize for Jazz Piano
1979 Finalist, Roger Woodward Classical Piano Scholarship
SELECTIVE DISCOGRAPHY :
Chris Cody Octet: Astrolabe, CCM
Chris Cody, Not My Lover, Wave Music
Jon Handelsman, Spirit House
– Bremner Duthrie: Kabarett 33 (pianist, arranger, producer)
– Paddy Sherlock, Electric Chop Shop (pianist, arranger)
– Tuesday Warren Luminescence Quartet: One Drop of Water
– Tuesday Warren Luminescence Quartet: Si Seulement
– Jocelyn Moen, La Rouge Qui Bouge, (pianist, arranger, producer),(Roadsign)
– Wendy Lee Taylor, Compilation, Jewel, (Smoove Records, Japan)
– Chris Cody Coalition, Conscript (CHC001, Nocturne, France)
– Wendy Taylor: Lets Do It , pianist, arranger (Crystal CDM 16)
– Freyja: This Girl (pianist, arranger, producer), FR626
– Chris Cody Coalition with Glenn Ferris: Midnight Tide (Cristal/Harmonia Mundi)
– On The Corner: Four (Amrap)
– Chris Cody Coalition: Music for Don Juan (STC 501)
– Elisabeth Green, Biodiversity, (UWS BD02)
– Chris Cody Coalition: Oasis (Naxos 86018-2)
(APRA nomination for best jazz album 1998)
– The Many Faces of Naxos Jazz (Naxos 86040)
– Chris Cody Coalition (Quoi de Neuf Docteur 032)
– Skander Guetari : Alwan (Bynzart, SG06131928)
– Gervais Koffe: The African Diaspora (Forest)
– Caroline Lynn: The Shaman’s Kiss (Newmarket 3113.2)
– Paddy Sherlock and the Jump Jive Five: The Louis Jordan Show
– Paddy Sherlock and the Swingin Lovers
– Jeff Hoffman: Good Thing (MDM 101)
– Beigel Daisy Toasts (Virgin France)
– Stefan Hugye: Sympathisers (Xopf 020)
Concerts
with Carla Bruni, Michel Jonasz, Tina Arena, Roy Hargrove, Antonio Hart, Rick Margitza, Rhoda Scott, Herb Geller, Glenn Ferris, Stephano di Battista, Yves Robert, Sonny Murray, Jason Marsalis, Marcel Azzola, Enrico Macias, Stéphane Belmondo, James Morrison, Barry Altschul, Frank Lacy, Annie Whitehead, Ari Brown, Graham Haynes, Sarah Lazarus, Steve Lehman, Dave O’Higgins, Joe Lee Wilson, Daniel Yvinec, François Théberge, Paris Jazz Orchestra, Lisa Simone, Caneiro Edmundo, Alfredo Rodriguez, Brice Wassy, Rasul Siddik, Wayne Dockery, George Brown, Fabio Morgera, Sangoma Everett, Peter Gritz, Prakash Sharwal, Amar Sundy, Carl Schlosser, Larry Gillespie, Jean-Loup Lognon, Jean-Jacques Avenel, Vic Pitts, Gordon Brisker, Don Burrows, Sandy Evans, Adrian Mears, Tim Hopkins, Miroslav Bukovsky, James Greening, Phil Slater, Julien Wilson etc.
Selected Festivals
Festivals of London, Paris, Rome, Brussels, Marciac, Derry, Dars Es Salaam, Festival de Francophonie, Stockholm, Europe Youth Festival, Antwerp,, Marseille, Fête de la Fraternité, Les Rendez-Vous de L’Erdre, Ascona, Nantes, Le Havre, Quartiers d’Ete, Musiques à Bagatelle, Jazz Balade, L’Art 2000 Paris, Xopf New Music Basle, St. Tropez, Mégeves, Viasse, Man Ray Festival, Deauville, Martin Luther King, UNESCO Charlie Parker, Marcoussis, St. Cergues, St. Gilles Croix de Vie, Pau, New Music Festival Paris, Arts et Mouvants, France, Sydney Festival, Wangaratta, Newcastle, Manly, South American Music Festival of Sydney, Australian Music Festival, Australian Music Convention, Bach and Beyond, Australian International Music Show, etc.
Founded by Paul Grabowsky in 1994, The Australian Art Orchestra has built an unparalleled reputation for the breadth and quality of its output. Initially conceived as a contemporary jazz orchestra the group was soon recognised as a serious commissioner and interpreter of new notated works. It also developed a reputation for cross-cultural collaborations that were more ambitious than anything seen in Australian music previously and it delved into hybrid forms well before the terminology for such approaches became commonplace.
The AAO’s work constantly seeks to stretch genres and break down the barriers separating disciplines, forms and cultures. It explores the interstices between the avant-garde and the traditional, between art and popular music, between electronic and acoustic approaches, and creates works that traverse the continuum between improvised and notated forms.
In January 2013, the AAO entered a new period of artistic leadership under the guidance of Artistic Director, Peter Knight. Knight is an internationally acclaimed composer, trumpeter and sound artist who has toured extensively throughout Europe, North America, Asia and Australia, garnering wide acclaim for an eclectic approach that integrates jazz, world music, and experimental traditions.
With its multi-faceted programming initiatives, the AAO fosters and supports a strong and vibrant local contemporary music scene drawing inspiration from Australia’s cultural diversity. Central to this is an ongoing dedication to nurturing and deepening its dialogues with Australian indigenous cultures as well as maintaining strong connections with artistic collaborators in India, Korea, China and Indonesia. The Orchestra has a record of commitment to the notion of a future in which truly new music that integrates Asian and Western influences is part of the cultural fabric of our region.
The Australian Art Orchestra regularly tours both locally and internationally with recent cities including Hong Kong, Toronto, Paris, London, Brisbane and Chennai. It has won numerous awards for its work including three Australian Jazz Bell awards (most recently in 2014), the 2014 AMC/APRA Art Music Award ‘Excellence by an Organisation’, 2013 AMC/APRA Art Music Award ‘Performance of the Year’, a 2010 Sidney Myer Performing Arts Awards (Group Award), the H C Coombs Creative Arts Fellowship (2010), a Helpmann Award (2004), and a 2009 Classical Music award for ‘Outstanding Contribution to Australian Music in a Regional Area’.
John Clare was born at Maroubra Bay in 1940. He has written on diverse topics for most major Australian publications, including The Sydney Morning Herald, The Age, The Australian, The National Times and Nation Review, as well as Town and Queen magazines in England. His poetry has appeared in Poetry Australia and New Poetry and has been read on the ABC’s old Quality Street programme. He has published three books: Bodgie Dada: Australian Jazz Since 1945 (UNSW Press), Low Rent (Text) and Why Wangaratta?: Ten Years Of The Wangaratta Festival of Jazz (Victorian Tourist Bureau). John currently reviews books for The Sun-Herald and writes essays and reviews for SIMA.org.au
Described by ABC Jazz’s Mal Stanley as a talented young vocalist and pianist and ‘one to watch’, Frances is a classy young entertainer based in Sydney and performing at jazz clubs, festivals and other venues around the country.
Frances’ music is mostly original and jazz-oriented, although it also includes blues, bossa and covers of timeless classics.
While she’s been compared to a young Diana Krall and Norah Jones, Frances captivates her audiences with a combination of her genuinely warm stage presence as well as a voice and style that is uniquely her own. She is also a talented and engaging original composer so when she performs her own swinging tunes and beautiful ballads, they merge seamlessly with the standards she covers.
As jazz legend James Morrison said “Frances has a wonderful feeling for jazz and blues standards but what makes her a real stand-out are her original songs and her unique style.” Matt Bailey, Presenter of Jazz Vibes on Fine Music 102.5 FM said “Frances’ music is a river of original and heartfelt material, truly a creative force not just in the jazz idiom, but as a genuine contemporary songwriter.”
Frances’ regular band includes some of Sydney’s most talented young jazz musicians as well as a few old hands. With Frances on vocals and piano, the band normally includes double bass, drums, guitar, tenor sax, trumpet and backing vocals. Changes in tempo and in the combinations of people on stage – from Frances performing ballads solo to the whole band swinging together – give her live shows nuance and variety.
Frances’ album ‘If this Were a Dream’ debuted at #5 on the ARIA Jazz Album charts and has sold steadily since. John McBeath, Jazz Critic for ‘The Australian’ newspaper said “the new album by Frances Madden impressed me more than most debut albums do. Frances has an individual expressive ability, a musical professionalism, a good feel for swing in jazz and she plays fine piano . . .”
Frances’ performances include pro bono and charity work. In 2014 she performed in Mexico for a Susila Dharma International benefit concert and she performed to support the 2015 Tour de Cure here in Australia.
More information and contact details can be found at http://www.francesmadden.com
Facebook: facebook.com/francesmaddenmusic
Youtube: youtube.com/francesmadden
BPC Lawyers is a leading compensation law firm in Sydney with specialist Personal Injury Lawyers. The firm has its origins as a legal practice started by Barry Beilby in 1975. The business expanded significantly in 1993 when the practice merged with that of Flannery Mura & Costello. We are providing legal services including compensation law, personal injury lawyers, worker’s compensation claims, motor accident claims, public liability, product liability, and professional and medical negligence claims in the NSW region
Alister is recognized as one of Australia’s most original, distinctive pianists/composers. With a performing and composing career spanning more than 25 years, his wide-ranging talents have led him to perform with and compose for some of the world’s most respected artists in the areas of contemporary music, improvisation, film and theatre.
In recent years he has devoted his energy to writing and performing with his trio, The Alister Spence Trio with Lloyd Swanton (the Necks) on double bass and Toby Hall (formerly with pianist, Mike Nock) drums and glockenspiel. This celebrated group has recorded five CDs (Rufus Records) and has a growing international reputation.
Their most recent CD, Far Flung (Rufus Records 2012) received a 4 star review in Jazz Journal (June 2013) and was listed in Critics Poll 2013 (January 2014). It was also listed in The WIRE 2013 Rewind – Critics’ reflections by Andy Hamilton as Album of the year. fit (Rufus Records 2009) was voted in the top 15 jazz/improv releases worldwide for 2009 by The Wire, UK. Both Mercury (Rufus Records 2006) and Flux (Rufus Records 2003) received ARIA nominations (Australian Record Industry Awards) for 2004, 2007. The trio toured in U.K and Canada in 2006 and Japan in 2008.
Since performing at The Vilnius Jazz Festival 2009, with bassist, Joseph Williamson (Tobias Delius Quartet, Alex Ward) and drummer, Chris Cantillo (Nils Berg Cinemascope, Lena Nyberg), Alister has returned to Europe and the UK on a regular basis to tour with this lineup. Also performing as a Quartet with saxophonist Raymond MacDonald (Marilyn Crispell, Glasgow Improvisers Orchestra).
Festival performances for the Trio include: Vilnius Jazz Festival 2009, Luminous Festival, Sydney Opera House curated by Brian Eno 2009, Tokyo Jazz Festival 2008, International Festival de Jazz de Montreal and Vancouver Jazz Festival 2006.
Alister is a founding member of Wanderlust and a long-standing member of The Australian Art Orchestra (AAO). Alister was also co-leader/composer with the internationally acclaimed group Clarion Fracture Zone for 15 years from 1990 – 2005.
His playing is featured on more than 30 CDs, many of which have either won or been nominated for Australian Record Industry (ARIA) Awards.
Over the years he has played with many of the finest musicians in Australia including Bernie McGann, Sandy Evans, Chris Abrahams, Don Burrows, Dale Barlow, Peter O’Mara, Tony Buck, Phillip Slater, Paul Capsis, Archie Roach and Ed Kuepper (The Laughing Clowns).
Alister has also performed with Satoko Fujii (Japan), Michiyo Yagi (Japan), Barre Phillips (US), Myra Melford (US), Mark Helias (US), Andy Sheppard (UK), Joe Williamson (SWE), Jim O’Rourke (Japan), Raymond MacDonald (Glasgow), Mark Helias (US), Karraikudi Mani (IND).
Over the last 20 years, Alister has toured extensively in Europe, Asia and Canada with The Alister Spence Trio, Clarion Fracture Zone, Wanderlust and AAO, and has performed radio broadcasts for ABC (Australia), BBC (UK), and WDR (Germany).
His talents as a composer are well known in Australia. As well as his own trio and Clarion Fracture Zone, Alister composes for Wanderlust and has been commissioned several times to write for The Australian Art Orchestra and Ten Part Invention.
