Founded by Paul Grabowsky in 1994, The Australian Art Orchestra has built an unparalleled reputation for the breadth and quality of its output. Initially conceived as a contemporary jazz orchestra the group was soon recognised as a serious commissioner and interpreter of new notated works. It also developed a reputation for cross-cultural collaborations that were more ambitious than anything seen in Australian music previously and it delved into hybrid forms well before the terminology for such approaches became commonplace.
The AAO’s work constantly seeks to stretch genres and break down the barriers separating disciplines, forms and cultures. It explores the interstices between the avant-garde and the traditional, between art and popular music, between electronic and acoustic approaches, and creates works that traverse the continuum between improvised and notated forms.
In January 2013, the AAO entered a new period of artistic leadership under the guidance of Artistic Director, Peter Knight. Knight is an internationally acclaimed composer, trumpeter and sound artist who has toured extensively throughout Europe, North America, Asia and Australia, garnering wide acclaim for an eclectic approach that integrates jazz, world music, and experimental traditions.
With its multi-faceted programming initiatives, the AAO fosters and supports a strong and vibrant local contemporary music scene drawing inspiration from Australia’s cultural diversity. Central to this is an ongoing dedication to nurturing and deepening its dialogues with Australian indigenous cultures as well as maintaining strong connections with artistic collaborators in India, Korea, China and Indonesia. The Orchestra has a record of commitment to the notion of a future in which truly new music that integrates Asian and Western influences is part of the cultural fabric of our region.
The Australian Art Orchestra regularly tours both locally and internationally with recent cities including Hong Kong, Toronto, Paris, London, Brisbane and Chennai. It has won numerous awards for its work including three Australian Jazz Bell awards (most recently in 2014), the 2014 AMC/APRA Art Music Award ‘Excellence by an Organisation’, 2013 AMC/APRA Art Music Award ‘Performance of the Year’, a 2010 Sidney Myer Performing Arts Awards (Group Award), the H C Coombs Creative Arts Fellowship (2010), a Helpmann Award (2004), and a 2009 Classical Music award for ‘Outstanding Contribution to Australian Music in a Regional Area’.
Barney is a special piano player with that certain heart and touch, so he has great possibilities.
He’s a genuine musician, not just a skilled artist. There’s a certain touch that I’m talking about.
It’s hard to explain, but he has that
-BILLY HARPER
Pianist, keyboardist, composer and arranger Barney McAll moved to New York City in 1997 after being invited to join the Gary Bartz Quartet . He continues to tour internationally with Bartz as well as with Fred Wesley and The JB’s, Josh Roseman, The Groove Collective and recently vocalists Daniel Merriweather and Sia Furler.
Barney leads numerous ensembles including; Sylent Running and M.O.D.A.S and his new ensemble Graft which features 16 piece Invenio Choir, two pianos , Vibraphone and laptop.
Barney has scored some award winning films including ;
Pushing The Elephant (PBS) Liberia: An Uncivil War (DISCOVERY/ NY TIMES) Motherland Afghanistan (PBS)
We All Fall Down: The American Mortgage Crisis (PBS)
He was nominated for a Grammy award in 2007 and also awarded the prestigious fellowship from the Australian Council for the Arts for 2007-2008 . He has performed or toured with ; Kurt Rosenwinkel, Dewey Redman, Maceo Parker, Doug Devries, Vince Jones, Kenny Garrett, Vernel Fornier, Badal Roy, Stefon Harris, Jimmy Cobb, Eddie Henderson, Gary Costello, Ben Monder, Mark Turner, Peter Apfelbaum, Bernie Worrell, Alan Browne, Billy Harper, Jim Black, Steve Turre and Roy Ayers.
COMPOSING AND ARRANGING
-Gospel Choir piece “Vanishing Point” collaboration with video artist Janet Biggs for Claire Oliver Gallery NYC
-New compostions for Guitar, Vibraphone and Piano and Voice premiered at The Stone NYC June 2008
-Sturgio Leone for Three Trombones and piano / Josh Roseman’s Water Surgeons
-New Works for Tabla, Cello and Kaval “Motherland Afghanistan”
-Various arrangements for The CNR Gospel Choir
-Overture for the Opera; ‘Two Lives In Flux and Vice Versa’ with Slave Pianos Collective
-Vincent Herring’s “Lady Liberty Big Band” performance Carnegie Hall
Featuring; Seamus Blake, Tom Harrell, Richie Goods, Steve Turre, Greg Hutcherson, Pamela Luss
-Renee Geyer and Octet Melbourne International Festival
-Slave Piano Collaboration with artists Danius Kesminas and Michael Stevenson for Lombard Freid Gallery Soho New York