Pianist and composer Chris Cody has performed and recorded internationally for the last 25 years while based in Paris. He has headlined at many international festivals including Paris Quartiers d’Eté, London, Rome, Brussels Jazz Marathon, Marciac, Nantes, and Algiers and at a vast array of concert venues throughout the USA, Europe and Africa. He has worked with many outstanding international musicians including Rick Margitza, Roy Hargrove, Glenn Ferris, Carla Bruni, Annie Whitehead, Tina Arena, Michel Jonaz, Rhoda Scott and Herb Geller.
With nine CDs of his music released on international labels he has received glowing reviews and featured on radio and television around the world, and has collaborated on over thirty other albums.
His compositions have been commissioned for the inauguration of the Australian Music Centre Paris, as well as for the Sydney Theatre Company, American Academy of Dance, Pillow Book Dance Company Pittsburg, and other French and American theatre companies, and he has composed the music for eight films, and several TV and Radio documentaries.
He was a member of the judging panel for the 2014 Freedman Fellowship, Australia.
“Magical!” Piano Magazine, France
“Exhilarating … a feast of melody… an inspiration never at fault” JazzHot, France
“Full of music and future!” Le Monde, France
“A marvellous climate, between subtle arrangements and vast spaces of improvisation…” Jazz Magazine, France
“Very luminous jazz!” Télérama, France
“This is jazz that takes off for the heights” Figaroscope, France
“A European sensibility with a nod to Debussy” Rolling Stone
“Splendidly rich and varied” Jazzwise, U.K
“A performance full of colour, humour and rhythmic movement.” Sydney Morning Herald, Australia
“A fine mix of superior technical talent and youthful inventiveness” Variety USA
2010 US Department of State Federal Award, Tour of Algeria
1999 Finalist Australian National Jazz Awards
1995 Finalist Tremplin Jazz Val d’Oise
1989 Best Jazz Composition, Australian Jazz Action Society
1989 Jack Chrotowsky Prize for Jazz Piano
1979 Finalist, Roger Woodward Classical Piano Scholarship
1977-87 Prize Winner Sydney and Warringah Eisteddfords
– Paddy Sherlock, Electric Chop Shop (pianist, arranger)
– Tuesday Warren Luminescence Quartet: One Drop of Water
– Tuesday Warren Luminescence Quartet: Si Seulement
– Jocelyn Moen, La Rouge Qui Bouge, (pianist, arranger, producer),(Roadsign)
– Wendy Lee Taylor, Compilation, Jewel, (Smoove Records, Japan)
– Chris Cody Coalition, Conscript (CHC001, Nocturne, France)
– Wendy Taylor: Lets Do It , pianist, arranger (Crystal CDM 16)
– Freyja: This Girl (pianist, arranger, producer), FR626
– Chris Cody Coalition with Glenn Ferris: Midnight Tide (Cristal/Harmonia Mundi)
– On The Corner: Four (Amrap)
– Chris Cody Coalition: Music for Don Juan (STC 501)
– Elisabeth Green, Biodiversity, (UWS BD02)
– Chris Cody Coalition: Oasis (Naxos 86018-2)
(APRA nomination for best jazz album 1998)
– The Many Faces of Naxos Jazz (Naxos 86040)
– Chris Cody Coalition (Quoi de Neuf Docteur 032)
– Skander Guetari : Alwan (Bynzart, SG06131928)
– Gervais Koffe: The African Diaspora (Forest)
– Caroline Lynn: The Shaman’s Kiss (Newmarket 3113.2)
– Paddy Sherlock and the Jump Jive Five: The Louis Jordan Show
– Paddy Sherlock and the Swingin Lovers
– Jeff Hoffman: Good Thing (MDM 101)
– Beigel Daisy Toasts (Virgin France)
– Stefan Hugye: Sympathisers (Xopf 020)
with Carla Bruni, Michel Jonasz, Tina Arena, Roy Hargrove, Antonio Hart, Rick Margitza, Rhoda Scott, Herb Geller, Glenn Ferris, Stephano di Battista, Yves Robert, Sonny Murray, Marcel Azzola, Enrico Macias, Stéphane Belmondo, James Morrison, Barry Altschul, Frank Lacy, Annie Whitehead, Ari Brown, Graham Haynes, Sarah Lazarus, Steve Lehman, Dave O’Higgins, Joe Lee Wilson, Daniel Yvinec, François Théberge, Paris Jazz Orchestra, Lisa Simone, Caneiro Edmundo, Alfredo Rodriguez, Brice Wassy, Rasul Siddik, Wayne Dockery, George Brown, Fabio Morgera, Sangoma Everett, Peter Gritz, Prakash Sharwal, Amar Sundy, Carl Schlosser, Larry Gillespie, Jean-Loup Lognon, Jean-Jacques Avenel, Vic Pitts, Gordon Brisker, Don Burrows, Sandy Evans, Adrian Mears, Tim Hopkins, Miroslav Bukovsky, James Greening, Phil Slater, Julien Wilson etc.
Festivals of London, Paris, Rome, Brussels, Marciac, Derry, Dars Es Salaam, Festival de Francophonie, Stockholm, Europe Youth Festival, Antwerp,, Marseille, Fête de la Fraternité, Les Rendez-Vous de L’Erdre, Nantes, Le Havre, Quartiers d’Ete, Musiques à Bagatelle, Jazz Balade, L’Art 2000 Paris, Xopf New Music Basle, St. Tropez, Mégeves, Viasse, Man Ray Festival, Deauville, Martin Luther King, UNESCO Charlie Parker, Marcoussis, St. Cergues, St. Gilles Croix de Vie, Pau, New Music Festival Paris, Arts et Mouvants, France, Sydney Festival, Wangaratta, Newcastle, Manly, South American Music Festival of Sydney, Australian Music Festival, Australian Music Convention, Bach and Beyond, Australian International Music Show, etc.
Tom O’Halloran leads his own original jazz piano trio outfit and conducts orchestras from time to time, composes new classical music, plays wild old analogue synthesizers and even rock guitar. Most recently he has played with acclaimed bassist Robert Hurst (USA), was nominated for a 2012 APRA Australian Art Music award and was a finalist in the 2011 Freedman Foundation Jazz Fellowship – where he was featured at the Sydney Opera House.
His overseas performances have included the Houston International Jazz Festival, the IAJE festival in New York, Villa Celimontana in Italy, Dubai, UAE where he played with the Dubai Philharmonic Orchestra, and club dates in New Zealand. Tom has two jazz trio records to his name, released through the Sydney based Jazzgroove Records label. His latest album We Happy Few won the 2009 Australian Broadcasting Corporation (ABC) Limelight Magazine award for best jazz achievement.
Tom regularly tours Australia with his original jazz trio comprised of Peter Jeavons (double bass) and Daniel Susnjar (drums). Together they have played large venues like the Sydney Opera House and The Promethean Theatre (Adelaide), and also the best jazz clubs in the country – including 505 and The Basement (Sydney), Bennett’s Lane and Paris Cat (Melbourne), and The Ellington Jazz Club (Perth).
At the end of 2011 he performed a two piano duo concert with Graham Wood – complete with two Fazioli grand pianos – at the stunning Government House, Perth. He was also commissioned to compose for the event. The resulting piece was Dissolve, for two pianos, and further explores his ideas of interruption and chromatic saturation, synthesised with jazz interaction and improvisation.
He is part of the exciting new Perth group Memory of Elements, and contributes compositions alongside Jamie Oehlers (saxophone), Carl Mackey (saxophone), Simon Jeans (guitar), Pete Jeavons (bass) and Ben Vanderwal (drums). They performed at the 2011 Wangaratta Jazz Festival, completed a national tour, and have released a self titled album on the Jazzhead label. When living in Sydney, Tom formed the new band Soundgun, comprised of Jonathan Zwartz (double-bass) and Evan Mannell (drums). They also debuted the group at the Wangaratta Jazz Festival in 2008, and have recorded for ABC Jazz Radio.
Tom has also been playing in an unusaul trio with Lucky Oceans (pedal- steel guitar) and Ben Vanderwal (drums) where he plays acoustic instruments and analouge synthesizers. A recording is to be released shortly.
He plays a myriad of styles, and recently arranged all the music for the concert series JONI – a Joni Mitchell tribute that was staged at the Sydney Opera House, Melbourne and Brisbane, starring Katie Noonan and Wendy Matthews. He has also worked with other industry names such as Pete Murray (Sony), James Morrison, singers Tina Harrod, Ilan Kidron (Potbellez, Universal), Max Sharam, Geoff Duff, Josh Quong-Tart (Home and Away, All Saints), Hugo Race (Bad Seeds), David Campbell, Deni Hines (Sony BMG), Mark Sholtez (Verve label), Rick Robertson (DIG), and other jazz musicians of the caliber of James Muller, Simon Barker, Kristen Berardi, trumpeter Phil Slater, bassist Cameron Undy and 20th Century Dog, Dan Barnett’s Big Band – and has performed at other Australian jazz festivals including the Melbourne Jazz Festival, Newcastle, York (WA), Manly and Coolah Jazz Festivals.
Tom O’Halloran leads the Jazz Piano department at the Western Australian Academy of Performing Arts (WAAPA) at Edith Cowan University, and also lectures in jazz composition and improvisation. He is a regularly commissioned composer, and currently holds a Master of Music in classical composition from the Sydney Conservatorium of Music and a Bachelor of Music (Jazz Performance) from WAAPA.
James ( Pug ) Waples, born December 13th 1982, is the youngest member of the Waples brothers, a family of musicians well known to Sydney fans. A finalist at the 1994 Wangaratta drumming competition James began his musical studies as a classical pianist before taking up the drums 10 years ago. Since graduating from the Jazz Studies course at the Sydney Conservatorium in 1994 his impeccable sense of time and extraordinary musical sensitivity have made him a favourite with many top Australian musicians such as Bernie McGann and Vince Jones.
George Golla AM (born 10 May 1935 in Chorzów, Poland) is an Australian jazz guitarist who commenced a long-term working musical partnership with clarinetist/flautist/saxophonist Don Burrows in 1959 that continued for almost forty years.
On 10 June 1985, Golla was made a Member of the Order of Australia, For service to music. In 1987, The George Golla Orchestra won the inaugural ARIA Fine Arts Award category of ‘Best Jazz Album’ for Lush Life.
He toured frequently throughout Australia and at times with international guest support artists such as vibraphonist Gary Burton in the early 1970s. He has had a long association with Brazilian musicians including Luis Bonfa and extensive performance of and many recordings of Latin American-/Brazilian- influenced jazz, including the acclaimed Bonfa Burrows Brazil (The Orchard).
He appeared at both the Montreux Jazz Festival and Newport Jazz Festival in 1972, and has performed at many Australian festivals. He is a frequent contributor at the annual Frankston International Guitar Festival.
Golla continues to perform in and around Sydney where he resides, touring interstate and internationally and recording. He has appeared at many workshops locally, nationally and overseas