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Sean Foran was born in 1979 and moved from Lismore, NSW to study at the QLD conservatorium in Brisbane in 1998. He performed in the Brisbane scene with various groups including the trio Misinterprotato which he formed in 1999. He has performed around the country at the Melbourne Int. jazz festival, Brisbane Festival, Woodford Folk Festival, Valley jazz festival, Valley Fiesta and internationally at the Australian Embassy in Tokyo.
He is currently co-leading Misinterprotato and the JS Quartet.
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Mace is a big band junky, graduating with honours from WAAPA – Bachelor in Music (Jazz Composition and Arranging). In 2004 he was awarded the APRA Professional Development Award for jazz composition which allowed him to travel to Vienna to study with composers – Ed Partyka and Bob Brokkmeyer.
Since 2004 Mace’s main musical outlet has been his 14-piece group Mace Francis Orchestra (MF)) and the hounds – a 7-piece modern trad swing group.
MFO have released 3 CDs of original music and the hounds have just released a live limited edition CD recorded at the Perth Jazz Society.
In 2008 Mace has become the Musical Director of the WA Youth Jazz Orchestra (WAYJO) and has begun lecturing arranging and composition at the WA Academy of Performing Arts (WAAPA).
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Paul Grabowsky is a pianist, composer, conductor and founder of the Australian Art Orchestra. Born in Papua New Guinea in 1958, and raised in Melbourne Australia, he began classical piano lessons as a five-year-old, studying with Mack Jost from 1965-1978. He began informal studies in jazz around 1976, and devoted his energies fully to improvised music from 1978. Paul lived in Munich, Germany from 1980-1985, where he was active on the local and European jazz scenes, performing and/or recording with Johnny Griffin, Chet Baker, Art Farmer, Benny Bailey, Guenther Klatt, Marty Cook and many others. He returned to Australia in 1986.
In 1983, he formed the Paul Grabowsky Trio, winner of two ARIA awards and still one of Australia’s longest-living and most influential bands. Their latest recording Big Adventure was released in November 2004 on ABC Classics.
As a performer, he became known for his work with the Wizards of Oz, a group he co-lead from 1987-1989 with saxophonist Dale Barlow and Vince Jones, and for whom he was musical director from 1988-89. From 1990-1992 Paul lead the Groovematics, the band on the nightly national television show Tonight Live.
He performs and records regularly with singers Robyn Archer andKatie Noonan (george / Elixir).
In 1994, he founded the Australian Art Orchestra that features the cream of Australian improvising musicians.
Paul produced and presented the television series Access All Areas in 1996, and was Commissioning Editor for ABC Television Arts and Entertainment 1996 -1998.
He is regarded as one of Australia’s foremost screen composers, working with such directors as Fred Schepisi (Empire Falls, Last Orders), Paul Cox (Human Touch, Innocence), John Irvin (The Grooming, Shiner) and Gillian Armstrong (The Last Days of Chez Nous). His television credits are numerous and include the ABC series Phoenix and Janus and the award-winning Channel Ten mini-series Jessica directed by Peter Andrikidis.
His works for the theatre include the operas The Mercenary(1997-99) and Love in the Age of Therapy (2000-2001). His music for the shadow play The Theft of Sita (1999-2000) won a Helpmann award. Before Time Could Change Us – a Song Cycle with lyrics by Dorothy Porter and music by Paul Grabowsky – is scheduled for a 2005 CD release featuring Katie Noonan and the Paul Grabowsky Trio with Scott Tinkler.
In 2004 Tales of Time and Space (Warner) was released to critical acclaim. Paul recorded this in New York with Branford Marsalis,Joe Lovano, Jeff ‘Tain’ Watts, Ed Schuller and Scott Tinkler.
Photo Credit: Jeff Wassmann
Recordings
Tinkler Rex Grabowsky Edie (2005)
Tales of Time and Space (2004)
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Since the release of her first album in 2000, jazz pianist and composer Andrea Keller has established herself as an important contributor to Australian jazz and contemporary music. Dedicated to the performance and creation of contemporary, original jazz and improvised music, she has been described as having “one of Australia’s most consistently interesting musical minds” (Doug Spencer 2007).
Best known for leading the Andrea Keller Quartet and the Bartok Project, Keller has been a member of many contemporary jazz ensembles and duos. She was a founding member of the Bennetts Lane Big Band, and her performance calendar is increasingly marked by solo concert performances.
As a composer and arranger, Keller has received commissions from a broad spectrum of musicians, ensembles and organizations. She is a represented artist of the Australian Music Centre.
Keller’s music has attracted high acclaim in Australia, winning her three Aria Awards, four Australian Jazz ‘Bell’ Awards, an Art Music Award, an MCA/Freedman Foundation Jazz Fellowship, and an Australia Council Fellowship.
“Her work is always lit brightly by the spark of originality.”
– Roger Mitchell, 2012.
“One of this country’s most daring and fascinating composers, she produces work that bristles with surprises, a powerful blend of European lyricism with space and improvisation.”
– Leon Gettler, 2005.
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Barney is a special piano player with that certain heart and touch, so he has great possibilities.
He’s a genuine musician, not just a skilled artist. There’s a certain touch that I’m talking about.
It’s hard to explain, but he has that
-BILLY HARPER
Pianist, keyboardist, composer and arranger Barney McAll moved to New York City in 1997 after being invited to join the Gary Bartz Quartet . He continues to tour internationally with Bartz as well as with Fred Wesley and The JB’s, Josh Roseman, The Groove Collective and recently vocalists Daniel Merriweather and Sia Furler.
Barney leads numerous ensembles including; Sylent Running and M.O.D.A.S and his new ensemble Graft which features 16 piece Invenio Choir, two pianos , Vibraphone and laptop.
Barney has scored some award winning films including ;
Pushing The Elephant (PBS) Liberia: An Uncivil War (DISCOVERY/ NY TIMES) Motherland Afghanistan (PBS)
We All Fall Down: The American Mortgage Crisis (PBS)
He was nominated for a Grammy award in 2007 and also awarded the prestigious fellowship from the Australian Council for the Arts for 2007-2008 . He has performed or toured with ; Kurt Rosenwinkel, Dewey Redman, Maceo Parker, Doug Devries, Vince Jones, Kenny Garrett, Vernel Fornier, Badal Roy, Stefon Harris, Jimmy Cobb, Eddie Henderson, Gary Costello, Ben Monder, Mark Turner, Peter Apfelbaum, Bernie Worrell, Alan Browne, Billy Harper, Jim Black, Steve Turre and Roy Ayers.
COMPOSING AND ARRANGING
-Gospel Choir piece “Vanishing Point” collaboration with video artist Janet Biggs for Claire Oliver Gallery NYC
-New compostions for Guitar, Vibraphone and Piano and Voice premiered at The Stone NYC June 2008
-Sturgio Leone for Three Trombones and piano / Josh Roseman’s Water Surgeons
-New Works for Tabla, Cello and Kaval “Motherland Afghanistan”
-Various arrangements for The CNR Gospel Choir
-Overture for the Opera; ‘Two Lives In Flux and Vice Versa’ with Slave Pianos Collective
-Vincent Herring’s “Lady Liberty Big Band” performance Carnegie Hall
Featuring; Seamus Blake, Tom Harrell, Richie Goods, Steve Turre, Greg Hutcherson, Pamela Luss
-Renee Geyer and Octet Melbourne International Festival
-Slave Piano Collaboration with artists Danius Kesminas and Michael Stevenson for Lombard Freid Gallery Soho New York
22 June 1937 – 17 September 2013
was an alto saxophonist. He began his career in the late 1950s and remained active as a performer, composer and recording artist until near the end of his life.
From Sydney, McGann first came to prominence as part of a loose alliance of modern jazz musicians who performed at the El Rocco Jazz Cellar, Sydney in the late 1950s and early 1960s.
He led the Bernie McGann Trio and Bernie McGann Quartet through his career. The most well-known lineup of the Trio was McGann (alto sax), John Pochee (drums), Lloyd Swanton (bass), with the addition of Warwick Alder (trumpet) in the quartet. However in his latter years, his regular quartet featured Andrew Dickeson (drums), Brendan Clarke (bass) and Warwick Alder (trumpet).
Read Bernie’s obituary from The Australian
Career highlights
• 1974 – Founding member of The Last Straw (jazz group).
• 1980–82 – Played support to US jazz artists, including Freddie Hubbard, Lester Bowie, and Dave Liebman.
• 1981 – Played and recorded with US saxophonist Sonny Stitt.
• 1983 – Studied in New York on a grant from The Australia Council.
• 1986 – Bernie McGann Trio toured Australia with US saxophonist Dewey Redman.
• 1987 – Toured with The Last Straw to Tasmania. Recorded two albums, one trio and one quartet, for Emanem which received critical acclaim internationally
• 1988 – Toured Australia and USA with the Australian Jazz Orchestra, a special Bicentennial project. Feature artist in award-winning documentary film Beyond El Rocco.[4] The Last Straw tour of New Zealand jazz festivals with an Australia Council international touring grant. Bernie McGann Trio played at London’s famous Ronnie Scott’s Jazz Club, before touring jazz festivals in Poland, Czechoslovakia, Bulgaria, Yugoslavia, India and Malaysia.
• 1989 – Solo artist at Auckland’s Jazz & Blues Festival. Appeared with The Last Straw at the prestigious Montreal Jazz Festival in Canada. Performed with Nat Adderley
• 1990 – Toured USSR with The Last Straw, performing to enthusiastic audiences at jazz festivals including Leningrad
• 1992 – ARIA award for Bernie McGann Trio CD ‘Ugly Beauty’, Spiral Scratch MO Award for Bernie McGann Trio in Jazz Group of the Year[3]
• 1993 – Toured Canadian Jazz Festivals
• 1994 – Australian Mo Awards for Jazz Instrumentalist of the Year.
• 1995 – ARIA award for Bernie McGann Trio CD ‘McGann McGann’ on Rufus Records, which featured McGann originals
• 1996 – Toured Canada and Europe including Northsea Jazz Festival and Munchener Klaviersummer.
• 1997 – Bernie McGann Trio appeared at the Chicago Jazz Festival. ARIA award for Bernie McGann Trio CD Playground (Rufus Records).
• 1998 – Wins the Don Banks Music Award, the first time it has been awarded to a non-classical musician/composer.[5] Launch of biography Bernie McGann: A Life in Jazz by Geoff Page (Kardooraire Press)
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His overseas performances have included the Houston International Jazz Festival, the IAJE festival in New York, Villa Celimontana in Italy, Dubai, UAE where he played with the Dubai Philharmonic Orchestra, and club dates in New Zealand. Tom has two jazz trio records to his name, released through the Sydney based Jazzgroove Records label. His latest album We Happy Few won the 2009 Australian Broadcasting Corporation (ABC) Limelight Magazine award for best jazz achievement.
Tom regularly tours Australia with his original jazz trio comprised of Peter Jeavons (double bass) and Daniel Susnjar (drums). Together they have played large venues like the Sydney Opera House and The Promethean Theatre (Adelaide), and also the best jazz clubs in the country – including 505 and The Basement (Sydney), Bennett’s Lane and Paris Cat (Melbourne), and The Ellington Jazz Club (Perth).
At the end of 2011 he performed a two piano duo concert with Graham Wood – complete with two Fazioli grand pianos – at the stunning Government House, Perth. He was also commissioned to compose for the event. The resulting piece was Dissolve, for two pianos, and further explores his ideas of interruption and chromatic saturation, synthesised with jazz interaction and improvisation.
He is part of the exciting new Perth group Memory of Elements, and contributes compositions alongside Jamie Oehlers (saxophone), Carl Mackey (saxophone), Simon Jeans (guitar), Pete Jeavons (bass) and Ben Vanderwal (drums). They performed at the 2011 Wangaratta Jazz Festival, completed a national tour, and have released a self titled album on the Jazzhead label. When living in Sydney, Tom formed the new band Soundgun, comprised of Jonathan Zwartz (double-bass) and Evan Mannell (drums). They also debuted the group at the Wangaratta Jazz Festival in 2008, and have recorded for ABC Jazz Radio.
Tom has also been playing in an unusaul trio with Lucky Oceans (pedal- steel guitar) and Ben Vanderwal (drums) where he plays acoustic instruments and analouge synthesizers. A recording is to be released shortly.
He plays a myriad of styles, and recently arranged all the music for the concert series JONI – a Joni Mitchell tribute that was staged at the Sydney Opera House, Melbourne and Brisbane, starring Katie Noonan and Wendy Matthews. He has also worked with other industry names such as Pete Murray (Sony), James Morrison, singers Tina Harrod, Ilan Kidron (Potbellez, Universal), Max Sharam, Geoff Duff, Josh Quong-Tart (Home and Away, All Saints), Hugo Race (Bad Seeds), David Campbell, Deni Hines (Sony BMG), Mark Sholtez (Verve label), Rick Robertson (DIG), and other jazz musicians of the caliber of James Muller, Simon Barker, Kristen Berardi, trumpeter Phil Slater, bassist Cameron Undy and 20th Century Dog, Dan Barnett’s Big Band – and has performed at other Australian jazz festivals including the Melbourne Jazz Festival, Newcastle, York (WA), Manly and Coolah Jazz Festivals.
Tom O’Halloran leads the Jazz Piano department at the Western Australian Academy of Performing Arts (WAAPA) at Edith Cowan University, and also lectures in jazz composition and improvisation. He is a regularly commissioned composer, and currently holds a Master of Music in classical composition from the Sydney Conservatorium of Music and a Bachelor of Music (Jazz Performance) from WAAPA.
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Phil Slater was born in Wollongong in 1972 and began playing the trumpet at the age of 12. In 1990 he studied music composition at Unversity of Sydney and University of Wollongong. In 1996 Phil moved to Sydney and began playing with various groups, including those of Mike Nock, the Australian Art Orchestra, Dale Barlow, Barney McAll, Steve Hunter, Baecastuff and DIG, as well as international artists Bobby Previte, Vincent Herring, Terumasa Hino, and Nigel Kennedy. Phil has performed at many national and international music festivals, including the Montreux, Copenhagen, Toronto, Montreal, Umbria, Pori, Vancouver, and London Jazz Festivals, and has performed in Japan, Korea, Hong Kong, the U.S.A., Germany, Czech Republic and New Zealand. He was a finalist in the 1997 Thelonious Monk International Jazz Competition, was awarded the 2002 Music Council of Australia/Freedman Foundation Fellowship and winner of the 2003 Wangaratta Festival of Jazz National Jazz Award. He is the leader or co-leader of several groups, including Strobe Coma Virgo, Band of Five Names, The Very Interactive Band, and Diagram.
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David Theak is a highly respected saxophonist / bandleader on the Australian jazz scene. Theak was the first musician to receive a Master of Music (Jazz performance) from the University of Sydney and as a performer he has led his group theak-tet on tours of Australia and Europe including performances at many of Germany and Scandinavia’s world class jazz venues.
Theak has been featured on dozens of Australian albums including Steve Hunter’s Nine Lives, released nationally through ABC records and theak-tet’s Yellow Glasses (1999) and Gamla Stan (2002, Jazzhead).
In 2001 and 2002, Theak lived in Germany where he performed with German Hammond Organ virtuoso Barbara Dennerlein at festivals and clubs around Europe. He is touring theak-tet around Benelux, Germany and Austria in November 2004, as well as recording a third album at the world famous Rainbow Studios in Oslo, Norway.
Dave runs the Jazzgroove Mothership Orchestra.
The Jazzgroove Mothership Orchestra (JMO) is Australia’s leading jazz orchestra and has gained a reputation as one of the world’s most respected independent Jazz Orchestra’s since its inception in 2003. The JMO has strived to re-define excellence with our position at the zenith of Jazz orchestral composition and improvisation in Australia, through the presentation of two concert seasons per year featuring leading international/domestic artists, sublime guest soloists plus the running of our annual Jazz orchestral composition Competition and the release of world class recordings of original music.
The Jazzgroove Mothership Orchestra was nominated as Australian Jazz Ensemble of the Year 2006, 2007 & 2009. Via commissions and a semi-annual composition competition, the Orchestra has fostered and furthered jazz orchestra writing in Australia, recording and premiering works by Australians such as vocalist-songwriter Kristin Berardi, and composers Steve Newcomb, Sean Wayland, David Panichi, Mace Francis, Ross Irwin, Andy Fiddes and more. In recent years, with the assistance of the Australia Council and the support of Australia’s major jazz festivals, the Orchestra has collaborated with international artists Maria Schneider (USA), Darcy James Argue (USA), Chris Potter (USA), Jim McNeely (USA), Dave Lisik (USA/NZ), Bob Sheppard & Alex Sipiagin (USA), Bert Joris (BE), Charles Tolliver (USA) and John Hollenbeck & Theo Bleckmann (USA).
Musically this ensemble represents many of the finest young improvisers Australia has to offer, and features original music from Australia’s most dynamic and creative large ensemble composers all packaged into one exciting super-ensemble. The Mothership’s members have dominated Australia’s top prizes over the last decade including 10 x National Jazz Award Finalists (including 3 winners), 4 x Freedman Fellows (including 2 winners), 2 x Australian Jazz Artist’s of the Year (Bell awards), James Morrison Scholarship Winners, a finalist in the International Thelonius Monk Trumpet Competition plus a finalist at the Hoolieart International Jazz Competition (Belgium).
The music of the mothership can best be defined as exciting, dynamic and highly original with most of its youthful members (average age 29) being drawn from one of the world’s most innovative musician’s collective’s, Sydney’s Jazzgroove Association. The Orchestra has released four critically acclaimed CD’s ‘The Mothership plays the music of Mike Nock’ (2006) ‘Dream Wheel’ (2007) The Mothership meets Kristin Berardi (2010) and Walkabout (2012) featuring Bob Sheppard and Alex Sipiagin.
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Julien Wilson is an integral part of the Melbourne jazz scene having played a wide variety of musical styles with Chris Tanners Virus, Paul Grabowsky Quintet, the Hoodangers, Mike Nock, 12 Tone Diamonds & Barney McAll.
Winner of the National Jazz Award in 1994 he performs regularly in Melbourne with afro-cuban bands Rumberos & Los Cabrones and is a member of the Australian Art Orchestra, Ishish, Murphy’s Law & the Bennetts Lane Big Band. His long association with guitarist Stephen Magnusson has involved two albums with FESTA, two with multi-national Swiss-based band SNAG, and two releases with assumptions, a free-wheeling trio with drummer Will Guthrie that was nominated for Best Australian Group & Best Contemporary Jazz Album at the 2004 Bell Awards. He studied extensively under scholarship in the USA with George Russell, Paul Bley, Jerry Bergonzi & George Garzone, touring with the Artie Shaw Orchestra and performing with Bob Moses. Julien has held a three year residency at the Cape Lounge in Melbourne’s Fitzroy and has performed at festivals in Switzerland, Finland, Denmark, England, Prague, Germany, China, New Zealand, Italy, and throughout Australia.
His current projects include a trio with Magnusson & Stephen Grant on accordian, a quartet with Magnusson, Philip Rex (bass) & Simon Barker (drums), assumptions, & a new two tenor band with Jamie Oehlers.
“one of the most exciting musicians in the country. Like certain of his tenor-saxophone forebears – Evan Parker, Gato Barbieri – Wilson tends to reach climaxes quickly. But having got there, what sets him apart from many other short-fuse improvisers is the ability to sustain those peaks with undiminished fervour for substantial periods.” Sydney Morning Herald
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Artists
Matt Keegan
Cameron Undy
Dave Goodman
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Here are some excerpts from a great review on of The
Necks’ double album “Mosquito/See Through”:
_”here’s some more writing on the wall for short attention span/instant
gratification culture, as the Time Lords from Oz touch down with an even
more uncompromising release. This double CD features two supra-minimalist, breathtakingly audacious, hour-long sound and texture nano explorations, each of them hugely compelling and therapeutic listening…it’s like some giant MRI scanner has sliced a nanosecond of time and space and placed it under a molecular microscope for The Necks to investigate and fine
tune…It’s awesome, if awesome can be applied to something so miniature and
so finely calibrated…Totally immersive and astonishing music which will take you out of yourself, and bring you back one or two hours later
refreshed and re-energised.”_
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Phil Slater was born in Wollongong in 1972 and began playing the trumpet at the age of 12. In 1990 he studied music composition at Unversity of Sydney and University of Wollongong. In 1996 Phil moved to Sydney and began playing with various groups, including those of Mike Nock, the Australian Art Orchestra, Dale Barlow, Barney McAll, Steve Hunter, Baecastuff and DIG, as well as international artists Bobby Previte, Vincent Herring, Terumasa Hino, and Nigel Kennedy. Phil has performed at many national and international music festivals, including the Montreux, Copenhagen, Toronto, Montreal, Umbria, Pori, Vancouver, and London Jazz Festivals, and has performed in Japan, Korea, Hong Kong, the U.S.A., Germany, Czech Republic and New Zealand. He was a finalist in the 1997 Thelonious Monk International Jazz Competition, was awarded the 2002 Music Council of Australia/Freedman Foundation Fellowship and winner of the 2003 Wangaratta Festival of Jazz National Jazz Award. He is the leader or co-leader of several groups, including Strobe Coma Virgo, Band of Five Names, The Very Interactive Band, and Diagram.
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