The Jazzgroove Mothership Orchestra (JMO) is Australia’s leading jazz orchestra and has gained a reputation as one of the world’s most respected independent Jazz Orchestra’s since its inception in 2003. The JMO has strived to re-define excellence with our position at the zenith of Jazz orchestral composition and improvisation in Australia, through the presentation of two concert seasons per year featuring leading international/domestic artists, sublime guest soloists plus the running of our annual Jazz orchestral composition Competition and the release of world class recordings of original music.
The Jazzgroove Mothership Orchestra was nominated as Australian Jazz Ensemble of the Year 2006, 2007 & 2009. Via commissions and a semi-annual composition competition, the Orchestra has fostered and furthered jazz orchestra writing in Australia, recording and premiering works by Australians such as vocalist-songwriter Kristin Berardi, and composers Steve Newcomb, Sean Wayland, David Panichi, Mace Francis, Ross Irwin, Andy Fiddes and more. In recent years, with the assistance of the Australia Council and the support of Australia’s major jazz festivals, the Orchestra has collaborated with international artists Maria Schneider (USA), Darcy James Argue (USA), Chris Potter (USA), Jim McNeely (USA), Dave Lisik (USA/NZ), Bob Sheppard & Alex Sipiagin (USA), Bert Joris (BE), Charles Tolliver (USA) and John Hollenbeck & Theo Bleckmann (USA).
Musically this ensemble represents many of the finest young improvisers Australia has to offer, and features original music from Australia’s most dynamic and creative large ensemble composers all packaged into one exciting super-ensemble. The Mothership’s members have dominated Australia’s top prizes over the last decade including 10 x National Jazz Award Finalists (including 3 winners), 4 x Freedman Fellows (including 2 winners), 2 x Australian Jazz Artist’s of the Year (Bell awards), James Morrison Scholarship Winners, a finalist in the International Thelonius Monk Trumpet Competition plus a finalist at the Hoolieart International Jazz Competition (Belgium).
The music of the mothership can best be defined as exciting, dynamic and highly original with most of its youthful members (average age 29) being drawn from one of the world’s most innovative musician’s collective’s, Sydney’s Jazzgroove Association. The Orchestra has released four critically acclaimed CD’s ‘The Mothership plays the music of Mike Nock’ (2006) ‘Dream Wheel’ (2007) The Mothership meets Kristin Berardi (2010) and Walkabout (2012) featuring Bob Sheppard and Alex Sipiagin.
It is undeniable that the Mothership Orchestra is the most consolidated assemblage of highly respected jazz talent in Australia. The Mothership’s 17 members include 10 National Jazz Award Finalists (including 5 winners), 4 Freedman Fellows (including 2 winners), a James Morrison Scholarship Winner, a finalist in the International Thelonius Monk Trumpet Competition and a finalist at the Hoolieart International Jazz Competition. Together the Mothership holds 5 Masters Degrees and 20 undergraduate degrees in Music and other disciplines from the Australian National University and University of Sydney. The musicians of the Mothership have released over 20 CDs as bandleaders.
Artists
Danny Carmichael
Matt Keegan
Scott Langley
Simon Ferenci
Jeremy Borthwick
Evan Mannell
Brendan Clarke
Nick Bowd
Simon Sweeney
James Muller
Matt McMahon
David Theak
The Vampires formed in 2004, while its four members were studying at the Sydney Conservatorium of Music. Beginning with aparent influences such Charlie Parker, Bernie McGann and Ornette Coleman, the band has incorporated the compositions of Garbett and Rose to find a style drawing from Afro-Carribean and South American grooves, and more open improvisation within these grooves, in their original material. The group featured the uncannily natural combination of the two horn players and composers, Nick Garbett (trumpet) and Jeremy Rose (alto saxophone) and the well established and like-minded rhythm section team of Alex Boneham (double bass) and Alex Masso (drums).
The band has enjoyed success from their four critically acclaimed albums South Coasting (Jazzgroove Records), Chellowdene, Garfish, and Tiro, as well as extensive touring and festival appearances over the past eight years, performing at every major jazz festival in Australia as well as the Sydney Opera House. The band features award winning saxophonist/composer Jeremy Rose (2009 Young Australian Jazz Artist of the Year, 2012/2013 Freedman Jazz Finalist) trumpeter/composer Nick Garbett, bassist, Alex Boneham (2012 Young Australian Jazz Artist of the Year), and drummer/percussionist Alex Masso.
The Vampires’ music builds on the rich history of piano-less jazz quartets with a unique twist, adopting reggae, balkan, afrobeat and latin rhythms in unexpected ways. The dual saxophone and trumpet melodic lines have a strong sense of dialogue and emotional range – from exciting to soothing. The band draws on many influences, but have been compared to the likes of early Ornette Coleman, the Catholics, Bob Marley and John Zorn/Dave Douglas’ Masada.
The Vampires toured Germany in April 2014 and from only eight places The Vampires were selected from over 321 applications from 33 countries for the prestigious Jazzahead 2014 showcase.
“Played with verve, high ability and inspiration, The Vampires have produced another distinguished album.”
**** – 4/5 stars – The Australian
Pianist and composer Chris Cody has performed and recorded internationally for the last 25 years while based in Paris. He has headlined at many international festivals including Paris Quartiers d’Eté, London, Rome, Brussels Jazz Marathon, Marciac, Nantes, Ascona and Algiers and at a vast array of concert venues throughout the USA, Europe and Africa. He has worked with many outstanding international musicians including Rick Margitza, Roy Hargrove, Glenn Ferris, Carla Bruni, Annie Whitehead, Tina Arena, Michel Jonaz, Rhoda Scott and Herb Geller.
With eleven CDs of his music released on international labels he has received glowing reviews and featured on radio and television around the world, and has collaborated on over thirty other albums.
His compositions have been commissioned for the inauguration of the Australian Music Centre Paris, as well as for the Sydney Theatre Company, American Academy of Dance, Pillow Book Dance Company Pittsburg, and other French and American theatre companies, and he has composed the music for eight films, and several TV and Radio documentaries.
He was a member of the judging panel for the 2014 Freedman Fellowship, Australia.
“Magical!” Piano Magazine, France
“Exhilarating … a feast of melody… an inspiration never at fault” JazzHot, France
“Full of music and future!” Le Monde, France
“A marvellous climate, between subtle arrangements and vast spaces of improvisation…” Jazz Magazine, France
“Very luminous jazz!” Télérama, France
“This is jazz that takes off for the heights” Figaroscope, France
“A European sensibility with a nod to Debussy” Rolling Stone
“Splendidly rich and varied” Jazzwise, U.K
“A performance full of colour, humour and rhythmic movement.” Sydney Morning Herald, Australia
“A fine mix of superior technical talent and youthful inventiveness” Variety USA
AWARDS :
2010 US Department of State Federal Award, Tour of Algeria
1999 Finalist Australian National Jazz Awards
1995 Finalist Tremplin Jazz Val d’Oise
1989 Best Jazz Composition, Australian Jazz Action Society
1989 Jack Chrotowsky Prize for Jazz Piano
1979 Finalist, Roger Woodward Classical Piano Scholarship
SELECTIVE DISCOGRAPHY :
Chris Cody Octet: Astrolabe, CCM
Chris Cody, Not My Lover, Wave Music
Jon Handelsman, Spirit House
– Bremner Duthrie: Kabarett 33 (pianist, arranger, producer)
– Paddy Sherlock, Electric Chop Shop (pianist, arranger)
– Tuesday Warren Luminescence Quartet: One Drop of Water
– Tuesday Warren Luminescence Quartet: Si Seulement
– Jocelyn Moen, La Rouge Qui Bouge, (pianist, arranger, producer),(Roadsign)
– Wendy Lee Taylor, Compilation, Jewel, (Smoove Records, Japan)
– Chris Cody Coalition, Conscript (CHC001, Nocturne, France)
– Wendy Taylor: Lets Do It , pianist, arranger (Crystal CDM 16)
– Freyja: This Girl (pianist, arranger, producer), FR626
– Chris Cody Coalition with Glenn Ferris: Midnight Tide (Cristal/Harmonia Mundi)
– On The Corner: Four (Amrap)
– Chris Cody Coalition: Music for Don Juan (STC 501)
– Elisabeth Green, Biodiversity, (UWS BD02)
– Chris Cody Coalition: Oasis (Naxos 86018-2)
(APRA nomination for best jazz album 1998)
– The Many Faces of Naxos Jazz (Naxos 86040)
– Chris Cody Coalition (Quoi de Neuf Docteur 032)
– Skander Guetari : Alwan (Bynzart, SG06131928)
– Gervais Koffe: The African Diaspora (Forest)
– Caroline Lynn: The Shaman’s Kiss (Newmarket 3113.2)
– Paddy Sherlock and the Jump Jive Five: The Louis Jordan Show
– Paddy Sherlock and the Swingin Lovers
– Jeff Hoffman: Good Thing (MDM 101)
– Beigel Daisy Toasts (Virgin France)
– Stefan Hugye: Sympathisers (Xopf 020)
Concerts
with Carla Bruni, Michel Jonasz, Tina Arena, Roy Hargrove, Antonio Hart, Rick Margitza, Rhoda Scott, Herb Geller, Glenn Ferris, Stephano di Battista, Yves Robert, Sonny Murray, Jason Marsalis, Marcel Azzola, Enrico Macias, Stéphane Belmondo, James Morrison, Barry Altschul, Frank Lacy, Annie Whitehead, Ari Brown, Graham Haynes, Sarah Lazarus, Steve Lehman, Dave O’Higgins, Joe Lee Wilson, Daniel Yvinec, François Théberge, Paris Jazz Orchestra, Lisa Simone, Caneiro Edmundo, Alfredo Rodriguez, Brice Wassy, Rasul Siddik, Wayne Dockery, George Brown, Fabio Morgera, Sangoma Everett, Peter Gritz, Prakash Sharwal, Amar Sundy, Carl Schlosser, Larry Gillespie, Jean-Loup Lognon, Jean-Jacques Avenel, Vic Pitts, Gordon Brisker, Don Burrows, Sandy Evans, Adrian Mears, Tim Hopkins, Miroslav Bukovsky, James Greening, Phil Slater, Julien Wilson etc.
Selected Festivals
Festivals of London, Paris, Rome, Brussels, Marciac, Derry, Dars Es Salaam, Festival de Francophonie, Stockholm, Europe Youth Festival, Antwerp,, Marseille, Fête de la Fraternité, Les Rendez-Vous de L’Erdre, Ascona, Nantes, Le Havre, Quartiers d’Ete, Musiques à Bagatelle, Jazz Balade, L’Art 2000 Paris, Xopf New Music Basle, St. Tropez, Mégeves, Viasse, Man Ray Festival, Deauville, Martin Luther King, UNESCO Charlie Parker, Marcoussis, St. Cergues, St. Gilles Croix de Vie, Pau, New Music Festival Paris, Arts et Mouvants, France, Sydney Festival, Wangaratta, Newcastle, Manly, South American Music Festival of Sydney, Australian Music Festival, Australian Music Convention, Bach and Beyond, Australian International Music Show, etc.
22 June 1937 – 17 September 2013
was an alto saxophonist. He began his career in the late 1950s and remained active as a performer, composer and recording artist until near the end of his life.
From Sydney, McGann first came to prominence as part of a loose alliance of modern jazz musicians who performed at the El Rocco Jazz Cellar, Sydney in the late 1950s and early 1960s.
He led the Bernie McGann Trio and Bernie McGann Quartet through his career. The most well-known lineup of the Trio was McGann (alto sax), John Pochee (drums), Lloyd Swanton (bass), with the addition of Warwick Alder (trumpet) in the quartet. However in his latter years, his regular quartet featured Andrew Dickeson (drums), Brendan Clarke (bass) and Warwick Alder (trumpet).
Read Bernie’s obituary from The Australian
Career highlights
• 1974 – Founding member of The Last Straw (jazz group).
• 1980–82 – Played support to US jazz artists, including Freddie Hubbard, Lester Bowie, and Dave Liebman.
• 1981 – Played and recorded with US saxophonist Sonny Stitt.
• 1983 – Studied in New York on a grant from The Australia Council.
• 1986 – Bernie McGann Trio toured Australia with US saxophonist Dewey Redman.
• 1987 – Toured with The Last Straw to Tasmania. Recorded two albums, one trio and one quartet, for Emanem which received critical acclaim internationally
• 1988 – Toured Australia and USA with the Australian Jazz Orchestra, a special Bicentennial project. Feature artist in award-winning documentary film Beyond El Rocco.[4] The Last Straw tour of New Zealand jazz festivals with an Australia Council international touring grant. Bernie McGann Trio played at London’s famous Ronnie Scott’s Jazz Club, before touring jazz festivals in Poland, Czechoslovakia, Bulgaria, Yugoslavia, India and Malaysia.
• 1989 – Solo artist at Auckland’s Jazz & Blues Festival. Appeared with The Last Straw at the prestigious Montreal Jazz Festival in Canada. Performed with Nat Adderley
• 1990 – Toured USSR with The Last Straw, performing to enthusiastic audiences at jazz festivals including Leningrad
• 1992 – ARIA award for Bernie McGann Trio CD ‘Ugly Beauty’, Spiral Scratch MO Award for Bernie McGann Trio in Jazz Group of the Year[3]
• 1993 – Toured Canadian Jazz Festivals
• 1994 – Australian Mo Awards for Jazz Instrumentalist of the Year.
• 1995 – ARIA award for Bernie McGann Trio CD ‘McGann McGann’ on Rufus Records, which featured McGann originals
• 1996 – Toured Canada and Europe including Northsea Jazz Festival and Munchener Klaviersummer.
• 1997 – Bernie McGann Trio appeared at the Chicago Jazz Festival. ARIA award for Bernie McGann Trio CD Playground (Rufus Records).
• 1998 – Wins the Don Banks Music Award, the first time it has been awarded to a non-classical musician/composer.[5] Launch of biography Bernie McGann: A Life in Jazz by Geoff Page (Kardooraire Press)
