Widely regarded as Australia’s premier Jazz Club, Bennetts Lane is open 7 nights a week and features the best of local, interstate and international musicians.
Contact Person: Michael Tortoni
The Jazzgroove Mothership Orchestra (JMO) is Australia’s leading jazz orchestra and has gained a reputation as one of the world’s most respected independent Jazz Orchestra’s since its inception in 2003. The JMO has strived to re-define excellence with our position at the zenith of Jazz orchestral composition and improvisation in Australia, through the presentation of two concert seasons per year featuring leading international/domestic artists, sublime guest soloists plus the running of our annual Jazz orchestral composition Competition and the release of world class recordings of original music.
The Jazzgroove Mothership Orchestra was nominated as Australian Jazz Ensemble of the Year 2006, 2007 & 2009. Via commissions and a semi-annual composition competition, the Orchestra has fostered and furthered jazz orchestra writing in Australia, recording and premiering works by Australians such as vocalist-songwriter Kristin Berardi, and composers Steve Newcomb, Sean Wayland, David Panichi, Mace Francis, Ross Irwin, Andy Fiddes and more. In recent years, with the assistance of the Australia Council and the support of Australia’s major jazz festivals, the Orchestra has collaborated with international artists Maria Schneider (USA), Darcy James Argue (USA), Chris Potter (USA), Jim McNeely (USA), Dave Lisik (USA/NZ), Bob Sheppard & Alex Sipiagin (USA), Bert Joris (BE), Charles Tolliver (USA) and John Hollenbeck & Theo Bleckmann (USA).
Musically this ensemble represents many of the finest young improvisers Australia has to offer, and features original music from Australia’s most dynamic and creative large ensemble composers all packaged into one exciting super-ensemble. The Mothership’s members have dominated Australia’s top prizes over the last decade including 10 x National Jazz Award Finalists (including 3 winners), 4 x Freedman Fellows (including 2 winners), 2 x Australian Jazz Artist’s of the Year (Bell awards), James Morrison Scholarship Winners, a finalist in the International Thelonius Monk Trumpet Competition plus a finalist at the Hoolieart International Jazz Competition (Belgium).
The music of the mothership can best be defined as exciting, dynamic and highly original with most of its youthful members (average age 29) being drawn from one of the world’s most innovative musician’s collective’s, Sydney’s Jazzgroove Association. The Orchestra has released four critically acclaimed CD’s ‘The Mothership plays the music of Mike Nock’ (2006) ‘Dream Wheel’ (2007) The Mothership meets Kristin Berardi (2010) and Walkabout (2012) featuring Bob Sheppard and Alex Sipiagin.
It is undeniable that the Mothership Orchestra is the most consolidated assemblage of highly respected jazz talent in Australia. The Mothership’s 17 members include 10 National Jazz Award Finalists (including 5 winners), 4 Freedman Fellows (including 2 winners), a James Morrison Scholarship Winner, a finalist in the International Thelonius Monk Trumpet Competition and a finalist at the Hoolieart International Jazz Competition. Together the Mothership holds 5 Masters Degrees and 20 undergraduate degrees in Music and other disciplines from the Australian National University and University of Sydney. The musicians of the Mothership have released over 20 CDs as bandleaders.
Artists
Danny Carmichael
Matt Keegan
Scott Langley
Simon Ferenci
Jeremy Borthwick
Evan Mannell
Brendan Clarke
Nick Bowd
Simon Sweeney
James Muller
Matt McMahon
David Theak
Steve was born in 1960 and has had his own band in one form or another since 1978. A renowned virtuoso of the electric bass, he is also a prolific composer and song writer, with over 90 of his tunes / songs released on albums.
Along the way, he’s played and / or recorded with many greats in all sorts of musical idoms… jazz and electric jazz particulalry.
Steve’s newest releases are: If Blue Was Orange on Newmarket Records and Condition Human – a new album of vocal songs featuring seven different singers, now released on ABC Records.
Always active, Steve has various activities happening as a bass player, composer and side-man in the months ahead.
Barney is a special piano player with that certain heart and touch, so he has great possibilities.
He’s a genuine musician, not just a skilled artist. There’s a certain touch that I’m talking about.
It’s hard to explain, but he has that
-BILLY HARPER
Pianist, keyboardist, composer and arranger Barney McAll moved to New York City in 1997 after being invited to join the Gary Bartz Quartet . He continues to tour internationally with Bartz as well as with Fred Wesley and The JB’s, Josh Roseman, The Groove Collective and recently vocalists Daniel Merriweather and Sia Furler.
Barney leads numerous ensembles including; Sylent Running and M.O.D.A.S and his new ensemble Graft which features 16 piece Invenio Choir, two pianos , Vibraphone and laptop.
Barney has scored some award winning films including ;
Pushing The Elephant (PBS) Liberia: An Uncivil War (DISCOVERY/ NY TIMES) Motherland Afghanistan (PBS)
We All Fall Down: The American Mortgage Crisis (PBS)
He was nominated for a Grammy award in 2007 and also awarded the prestigious fellowship from the Australian Council for the Arts for 2007-2008 . He has performed or toured with ; Kurt Rosenwinkel, Dewey Redman, Maceo Parker, Doug Devries, Vince Jones, Kenny Garrett, Vernel Fornier, Badal Roy, Stefon Harris, Jimmy Cobb, Eddie Henderson, Gary Costello, Ben Monder, Mark Turner, Peter Apfelbaum, Bernie Worrell, Alan Browne, Billy Harper, Jim Black, Steve Turre and Roy Ayers.
COMPOSING AND ARRANGING
-Gospel Choir piece “Vanishing Point” collaboration with video artist Janet Biggs for Claire Oliver Gallery NYC
-New compostions for Guitar, Vibraphone and Piano and Voice premiered at The Stone NYC June 2008
-Sturgio Leone for Three Trombones and piano / Josh Roseman’s Water Surgeons
-New Works for Tabla, Cello and Kaval “Motherland Afghanistan”
-Various arrangements for The CNR Gospel Choir
-Overture for the Opera; ‘Two Lives In Flux and Vice Versa’ with Slave Pianos Collective
-Vincent Herring’s “Lady Liberty Big Band” performance Carnegie Hall
Featuring; Seamus Blake, Tom Harrell, Richie Goods, Steve Turre, Greg Hutcherson, Pamela Luss
-Renee Geyer and Octet Melbourne International Festival
-Slave Piano Collaboration with artists Danius Kesminas and Michael Stevenson for Lombard Freid Gallery Soho New York
Here are some excerpts from a great review on of The
Necks’ double album “Mosquito/See Through”:
_”here’s some more writing on the wall for short attention span/instant
gratification culture, as the Time Lords from Oz touch down with an even
more uncompromising release. This double CD features two supra-minimalist, breathtakingly audacious, hour-long sound and texture nano explorations, each of them hugely compelling and therapeutic listening…it’s like some giant MRI scanner has sliced a nanosecond of time and space and placed it under a molecular microscope for The Necks to investigate and fine
tune…It’s awesome, if awesome can be applied to something so miniature and
so finely calibrated…Totally immersive and astonishing music which will take you out of yourself, and bring you back one or two hours later
refreshed and re-energised.”_
Matt McMahon is a pianist/keyboardist /composer based in Australia. He leads his own groups and co-leads “Band of Five Names” with Phil Slater and Simon Barker. Matt won the national Jazz award in 1999, and the Freedman Jazz Fellowship for 2005. He has played/recorded with Dale Barlow, Greg Osby, Phil Slater, Joe Tawadros, Katie Noonan, Vince Jones, Bobby Previte, Dave Panichi, Steve Hunter, Jazzfolk, Guy Strazz etc, and played concerts and festivals throughout Australia and Asia.
Matt will be releasing his first solo album in 2015. He will also be presenting Part II of the Paths & Streams project, for which he was awarded the Freedman Jazz Fellowship.
H released his second album, Ellipsis, with his trio – Jonathan Brown on the bass and Simon Barker on the drums, playing mostly his pieces. The Sydney Morning Herald said “after about 15 years on the scenehe released his first solo album, “Paths and Streams”, .It was one of the half-dozen best releases of 2006. Now “Ellipsis, the first release by his long term trio finally emerges and it is stunning… the music is as good as any current piano-trio jazz.” John Shand
The Vampires formed in 2004, while its four members were studying at the Sydney Conservatorium of Music. Beginning with aparent influences such Charlie Parker, Bernie McGann and Ornette Coleman, the band has incorporated the compositions of Garbett and Rose to find a style drawing from Afro-Carribean and South American grooves, and more open improvisation within these grooves, in their original material. The group featured the uncannily natural combination of the two horn players and composers, Nick Garbett (trumpet) and Jeremy Rose (alto saxophone) and the well established and like-minded rhythm section team of Alex Boneham (double bass) and Alex Masso (drums).
The band has enjoyed success from their four critically acclaimed albums South Coasting (Jazzgroove Records), Chellowdene, Garfish, and Tiro, as well as extensive touring and festival appearances over the past eight years, performing at every major jazz festival in Australia as well as the Sydney Opera House. The band features award winning saxophonist/composer Jeremy Rose (2009 Young Australian Jazz Artist of the Year, 2012/2013 Freedman Jazz Finalist) trumpeter/composer Nick Garbett, bassist, Alex Boneham (2012 Young Australian Jazz Artist of the Year), and drummer/percussionist Alex Masso.
The Vampires’ music builds on the rich history of piano-less jazz quartets with a unique twist, adopting reggae, balkan, afrobeat and latin rhythms in unexpected ways. The dual saxophone and trumpet melodic lines have a strong sense of dialogue and emotional range – from exciting to soothing. The band draws on many influences, but have been compared to the likes of early Ornette Coleman, the Catholics, Bob Marley and John Zorn/Dave Douglas’ Masada.
The Vampires toured Germany in April 2014 and from only eight places The Vampires were selected from over 321 applications from 33 countries for the prestigious Jazzahead 2014 showcase.
“Played with verve, high ability and inspiration, The Vampires have produced another distinguished album.”
**** – 4/5 stars – The Australian
John Hardaker is a Sydney musician, graphic designer and writer. He writes on music in order to peer deeper into its mysteries. His blog is at wordsaboutmusic.wordpress.com
