At first, it sounds like a mistake: The opening notes are blurred, like something has gone a bit wrong in either the playing or the recording. But after a few bars, we realize that these bent tones from a horn — with just a stark bass and drum behind them — are outlining one of the most hallowed of American standards. Tenor saxophonist Sonny Rollins is at the Village Vanguard, bashing through “What Is This Thing Called Love?” as if he could anticipate the punk rock that would come to this same neighborhood 20 years later. It’s an elegant song by Cole Porter, reduced to its skeleton. And “All the Things You Are” and “Softly, as in a Morning Sunrise” get the same kind of rough, raw, harmonically daring treatment.
Read the full article by Scott Timberg, Salon
http://www.salon.com/2012/12/24/did_the_american_songbook_kill_jazz/
Image courtesy Shane Rosario
